23 Worst Dressed Celebrities At The 2025 Golden Globes, Featuring Ariana Grande And Cynthia Erivo

The 2025 Golden Globes kicked off awards season with the usual sparkle, speeches, and camera pans that make you whisper,
“Waitdid that outfit just blink at me?” The red carpet at the Beverly Hilton is basically a high-stakes group project:
stylists, designers, glam teams, and celebrities all racing the clock… and occasionally turning in something that feels
like it was printed five minutes before class.

A quick reminder before we get deliciously petty about fabric choices: this is about clothes, not bodies. Fashion is
subjective, trends are chaotic, and “worst dressed” often really means “most debated,” “most experimental,” or “most
likely to make your group chat explode.” With that saidlet’s unpack the looks that sparked the loudest “huh?” of the night.

How We Picked These “Worst Dressed” Golden Globes 2025 Looks

Our criteria wasn’t “Who dared to be different?” because we love a risk. It was more like: did the styling fight the dress,
did the proportions feel off, did the fabric read oddly on camera, or did the concept land somewhere between “avant-garde”
and “I accidentally clicked ‘add to cart’ on a curtain”?

• Proportion problems: when a skirt, peplum, or cape does all the talkingand won’t let the wearer get a word in.
• Styling mismatch: gorgeous piece, confusing accessories (or vice versa).
• Camera translation: what looks editorial in a mirror can look messy under flash photography.
• Theme overload: when the “idea” arrives before the outfit does.

The 23 Worst Dressed Celebrities at the 2025 Golden Globes

Consider this list a tour of the night’s most polarizing Golden Globes red carpet fashion momentssome true misses, some
ambitious swings, and some looks that simply refused to pick a lane.

1. Cynthia Erivo

   A striking, architectural gown can be a red-carpet power moveuntil the bodice and skirt look like they’re starring in
   two different movies. The overall effect was bold and memorable, but the structure felt slightly at war with itself.
   Quick fix: streamline the bodice or soften the skirt shape so the silhouette reads as one idea.

2. Ariana Grande

   Vintage couture is a flex, and the Audrey-inspired mood was crystal clear. But the styling leaned so “precious” that the
   look flirted with costume territory, and the pale shade didn’t pop the way a Globes moment usually demands.
   Quick fix: keep the vintage gown, but sharpen the stylingsleeker hair, bolder jewelry, less “tea party.”

3. Elle Fanning

   The silhouette had classic glamour, but the color story washed out on cameralike the dress arrived in “beautiful concept”
   and left in “beige blur.” With vintage-inspired looks, tone is everything.
   Quick fix: the same design in black (or a richer contrast) would have looked instantly sharper.

4. Ali Wong

   The dress brought dramalots of it. The problem wasn’t the commitment; it was that the texture and movement became the
   whole conversation. It felt more “fashion experiment” than “award show polish.”
   Quick fix: reduce the surface chaos or simplify the gloves/accessories so the gown can breathe.

5. Melissa McCarthy

   Big fashion is fununtil it becomes a moving obstacle course. The ruffles were the main character, the supporting cast,
   and the director. Even getting into a car sounded like a subplot.
   Quick fix: keep the color, keep the drama, but cut the volume by a third so it reads “couture” not “portable float.”

6. Heidi Klum

   A bright, punchy color can be iconic, but the cutouts and styling created a “multiple trends at once” effect. The look
   was attention-grabbingjust not in a clean, cohesive way.
   Quick fix: pick one focal point: either the cutouts or the bold color, not both competing at full volume.

7. Kathryn Hahn

   The outfit felt a little too casual for a major awards carpetlike it wanted to be cool and unfussy while the room was
   dressed for champagne-level drama.
   Quick fix: elevate with sharper tailoring, stronger jewelry, or a more intentional evening fabric.

8. Kerry Washington

   The color was gorgeous, but the overall styling leaned costume-yespecially with accessories that felt like they belonged
   to a different outfit entirely.
   Quick fix: let the dress do the work; simplify the add-ons so the look reads “elegant” rather than “theatrical.”

9. Naomi Watts

   Layers can look romantic, but they can also look busy under flash. This one landed in the “soft chaos” zonepretty in
   theory, cluttered in execution.
   Quick fix: reduce layering or add more structure so the silhouette photographs cleanly.

10. Salma Hayek

    Shimmer is always welcome at the Golden Globes, but this look felt heavier than it needed to belike the fabric was
    carrying the mood down.
    Quick fix: keep the sparkle, lighten the styling, and consider a cleaner neckline or shape.

11. Jodie Foster

    Simple can be powerful, but this read more “minimal default” than “intentional minimalism.” It didn’t feel like a Globes
    moment so much as a reliable black option.
    Quick fix: add a standout detailan elevated silhouette, a statement piece, or sharper styling.

12. Kirsten Dunst

    Elegant, yesbut so quiet it nearly disappeared in a room full of maximalism. Sometimes understated needs one strategic
    “wow” element to register on a red carpet.
    Quick fix: punch up the styling with bolder jewelry or a stronger hair/makeup direction.

13. Alexandra Daddario

    The dress itself wasn’t the issueit was the overall “unfinished” feeling. Like the accessories were still loading.
    Quick fix: commit to a direction: dramatic jewelry, a stronger shoe, or a sleeker hair choice to make it feel complete.

14. Lydia Brosnahan

    The look leaned gray and subdued in a way that didn’t flatter the lighting or the mood of the event. It felt more
    weekday gala than awards-season kickoff.
    Quick fix: deepen the tone or add contrast with stylingsomething that reads “evening” from across the carpet.

15. Karla Sofía Gascón

    Bold color is fun, but the mix and drape didn’t feel fully resolvedlike a great idea that needed one more fitting and
    a slightly calmer finishing touch.
    Quick fix: refine the draping and simplify the extra wrap/train element so the gown feels less fussy.

16. Glenn Close

    A statement look can be memorable, but this one read more “gimmick” than “glamour.” It pulled focus away from the person
    and toward the concept.
    Quick fix: keep the statement, but translate it into subtler detailstexture, tailoring, or a cleaner silhouette.

17. Jeff Goldblum

    Jeff always dresses like he’s starring in his own delightful film, and honestly, respect. But the look felt slightly
    out of sync with the room’s formal vibe.
    Quick fix: keep the personality, but add one classic anchor (a sharper fit, a cleaner shirt, or less visual noise).

18. Glen Powell

    The overall impression was “almost there,” but the styling didn’t fully land. The suit details felt like they were trying
    to be trendy without choosing a clear point of view.
    Quick fix: simplifyone strong detail is stylish; three competing ones is a debate.

19. Margaret Qualley

    High fashion can be stunning, but it can also look slightly “wearing you.” This one leaned into a silhouette that felt
    stiff or oddly proportioned for the carpet.
    Quick fix: soften the structure or adjust proportions so movement and ease show up in photos.

20. Justine Lupe

    A beautifully made gown can still miss if the details feel accidentallining, shape, or finish that distracts rather than
    elevates.
    Quick fix: refine the visible construction elements so the dress reads intentional from every angle.

21. Gia Coppola

    This look had “creative” written all over it, but the styling felt a little undonelike the outfit was still deciding
    whether it was playful or formal.
    Quick fix: clean up the waist/finishing details and go sharper with hair and accessories.

22. Eddie Redmayne

    The vibe was quirky, which can be great, but the proportions and styling read slightly costume-ymore “character” than
    “red carpet.”
    Quick fix: keep one eccentric element, then ground it with classic tailoring.

23. Jeremy Strong

    A bucket hat at the Golden Globes is either iconic or chaotic, and this was… both. The outfit was entertaining, but it
    competed with the event’s formality in a way that some viewers found distracting.
    Quick fix: keep the relaxed luxury vibejust swap the hat for something equally bold but more black-tie friendly.

Red Carpet Takeaways You Can Steal (Without Needing a Stylist)

The best thing about Golden Globes fashion fails is that they’re basically free lessons for the rest of us. Here’s what
these 2025 Golden Globes looks teachwhether you’re dressing for a wedding, a gala, or just trying to feel expensive at brunch.

• One hero element is enough. If the dress is dramatic, let everything else calm down.
• Color matters more than people admit. The wrong shade can flatten a masterpiece on camera.
• Fit and finishing are the difference. The tiniest tweak can move a look from “hmm” to “wow.”
• Wearability is a feature. If you can’t sit, walk, or breathe, the dress is wearing you.

Experiences From Golden Globes Night (The Fun Part Everyone Actually Remembers)

If you’ve ever watched the Golden Globes red carpet live, you know the experience is basically a sport. There’s the
pre-show warmup (snacks, predictions, and someone announcing they “don’t care about fashion” while immediately caring
about fashion). Then the first big entrance hits, and suddenly everyone becomes a part-time stylist with strong opinions
about necklines, tailoring, and whether sequins are “festive” or “aggressive.”

What makes a “worst dressed” moment so sticky isn’t crueltyit’s surprise. The red carpet is one of the only places where
people intentionally wear outfits you’d never see in daily life, and your brain has to process it fast: “Is it art? Is it a
reference? Is it a joke? Is it genius?” Sometimes a look is genuinely gorgeous in still photos but turns confusing in motion.
Other times, a bold silhouette reads incredible from the front and becomes a totally different creature from the side.
And every once in a while, you can tell someone is having a blast wearing something weirdand that joy becomes the whole point.

Another universal Golden Globes experience: the group chat split-screen. Half your friends are Team “I love a risk,” and the
other half are Team “I beg your pardon?” That’s how you end up with Ariana Grande’s vintage couture look being both “timeless”
and “too precious,” or Cynthia Erivo’s sculptural gown being both “stunning” and “slightly complicated.” The truth is that
awards-season fashion is built for debate. Designers want a headline. Stylists want a signature. Celebrities want a moment.
And viewers want something to react tobecause a perfectly fine dress is rarely as fun as a fascinating one.

If you want to borrow the best part of the Golden Globes for your own life, it’s not the extreme silhouettesit’s the
commitment. Pick one intentional element and own it: a strong color, a sharp suit, a dramatic sleeve, a sleek updo, or a
statement shoe. The Globes remind us that style isn’t about never missing; it’s about having a point of view. And if you do
miss? Congratulations. You just gave everyone something to talk aboutpreferably with affection, a little humor, and zero
personal attacks.